Yet the tower itself doesn’t match the standard set by 150 North Riverside. Along the riverfront, the serrated glass produces strong vertical lines when the high-rise is glimpsed from the north, but when seen from the south, the wall devolves into a flat mass of glass. In contrast to the unified sculptural presence of 150 North Riverside, the muscular base and meek upper levels speak different, disjointed architectural languages.
Column: City’s tallest office building in 30 years opens along Chicago River, mixing drama and banality
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